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"Francesco Borosini: First Among Tenors" - Paper


Summary:

Francesco Borosini (c.1688-c.1750) was arguably the first tenor to achieve "superstar" status in the operatic world of early 18th-century Europe.

Born in Modena, the son of a successful tenor, Francesco was trained in the "family business" of singing, and appeared in opera houses throughout northern Italy early in his career. His appointment to the imperial court of Charles VI in
Vienna in 1712 marked the beginning of a long association with Caldara, Fux, Conti, and Porsile, among others. He appeared in many operas, oratorios and chamber works there.

In 1724, Borosini was engaged by
Handel for a season with the King's Theater, Haymarket, London. There he created Handel's two greatest tenor roles, Bajazet in Tamerlano, and Grimoaldo in Rodelinda. Handel also re-scored the role of Sesto for him in the 1725 revival of Giulio Cesare in Egito. Later, Borosini became an impresario himself.

Francesco Borosini: caricature by Anton Maria Zanetti, Venice
It is apparent when one glances at the music composed for him that Borosini had an amazing talent. His range stretched over two octaves, and he was capable of brilliant coloratura, long phrases, wide leaps, and other impressive technical feats. He was admired as a fine actor.

While not quite a "household word" among aficionados of Baroque opera, he deserves to be as well-known as
Farinelli, Senesino, Francesca Cuzzoni and Faustina Bordoni, each of whom was a colleague of Borosini's at one time or another. He was the first singer to challange the iron-clad dominance of the castrati and to compete with the sopranos as an expressive and technically gifted artist.

To read to the entire paper, "Francesco Borosini: First Among Tenors", click here.

For a list of operas in which Borosini appeared, click here.